In a recent review of Buxton Contemporary’s current exhibition, Between Appearances: the art of Louise Weaver, Gina Fairley writes: “This gallery reads both as a collection of individual works and a holistic installation. It is an erudite and eloquent exercise...
With a practice spanning three decades, Louise Weaver is a Melbourne-based artist who works across painting, printmaking, sculpture, installation, sound and photography. Yet it’s for her sculptures of meticulously crochet encased animal forms and branches—which she...
In a recent review of Buxton Contemporary’s current exhibition, Robert Nelson writes: “The beautifully crafted and poetic sculpture is one of many enigmas in Between appearances: the art of Louise Weaver at Buxton Contemporary. You wonder what’s inside,...
In a recent review of Buxton Contemporary’s current exhibition, Between Appearances: The Art of Louise Weaver, Kerrie O’Brien writes: “A vibrant red, life-sized polar bear stands on an island, a pretty teepee made from branches behind it. The...
In a review of National Anthem in Art Almanac, John Buckley writes: “Loaded in ways the show’s title might not immediately suggest, ‘National Anthem’ is the cri de couer the Australian art world — and the nation at large — so desperately needs. The works on...
Motion Pictures, a review of The Garden of Forking Paths: Mira Gojak and Takehito Koganezawa by Andrew Stephens is featured in the January-February issue of Art Guide Australia and on the publication’s website. You can read full text here. Rex Butler’s...
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