‘Know My Name: Australian Women Artists 1900 to Now’, NGA, Canberra: Part one closes 9th of May 2021
Only a few days left to see Know My Name: Australian Women Artists 1900 to Now Part one, and Transfer Station 1 (2011) by Buxton Contemporary Collection artist Mira Gojak at the National Gallery of Australia in Canberra. The work was previously exhibited at Buxton Contemporary as a part of The Garden of Forking Paths: Mira Gojak and Takehito Koganezawa curated by Melissa Keys.
Know My Name: Australian Women Artists 1900 to Now showcases art made by women and features works by Buxton Contemporary Collection artists Pat Brassington, Janet Burchill, Destiny Deacon & Virginia Fraser, Julie Dowling, Mikala Dwyer, Emily Floyd, Rosalie Gascoigne, Simryn Gill, Helen Johnson, Angelica Mesiti, Tracey Moffatt, Rose Nolan, Raquel Ormella, Patricia Piccinini and Justene Williams.
Know My Name Part Oneis on view in its entirety until 9 May after which it will be gradually transformed into Part Two. Know My Name Part Two opens in full on 12 June 2021.
Image: Installation view, The Garden of Forking Paths: Mira Gojak and Takehito Koganezawa, Buxton Contemporary, the University of Melbourne, 2018–19, with Mira Gojak, Transfer station 1, 2011, (foreground), and Mira Gojak, Propositions for escape, 2005, (background), both works courtesy of the artist and Murray White Room, Melbourne; photography Christian Capurro.
‘TarraWarra Biennial 2021: Slow Moving Waters’, TarraWarra Museum of Art, open till 11 July 2021
Buxton Contemporary Collection artists Daniel Crooks and Raquel Ormella have each been commissioned to create new work for the TarraWarra Biennial 2021: Slow Moving Waters. Curated by Nina Miall, the exhibition responds to two related cues: the idea of...
Reviewing Grant Stevens’ Fawn In The Forest Phillip Brophy writes: I’m writing this while Fawn In The Forest “plays” on my second screen. Or is it “happening”? Maybe it’s “running”. It just keeps going, as if its status as image is somehow in motion, fluid,...