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Melbourne’s major new art museum draws upon the Michael Buxton Collection as a springboard for exhibitions, events, research, publishing and ideas.

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Happy Holidays from Buxton Contemporary! We are op

Peter Tyndall is regarded by many as a quintessent

Our new exhibition, Peter Tyndall, charts the deve

For Peter Tyndall, the act of looking at art becom

Someone looks at something... a few snaps from Pet

In true Pop Art fashion, Peter Tyndall sources gra

Amassing a cult following since his stellar rise i

Announcing 𝘗𝘦𝘵𝘦𝘳 𝘛𝘺𝘯𝘥𝘢𝘭𝘭: the first major retrospective exhibition from one of Melbourne’s most influential artists.

Featuring over 200 works, the exhibition will include paintings, drawings, correspondence art and unseen works ranging back to the 1970s, drawing from @unimelb’s collection alongside works on loan from national institutions and private collections.

With a rigorous studio practice spanning 50 years, Peter Tyndall‘s expansive works contemplate the fundamental questions about the construction of meaning.

9 December 2022 – 16 April 2023

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Artwork Peter Tyndall, courtesy Anna Schwartz Gallery, Melbourne

🐜 Posted @withrepost • @artistprofile “It’s usually in early December that artists and critics are approached by newspapers and magazines to nominate their ‘exhibition of the year.’ I would like to step in early and state confidently that Susan Jacobs’s The Ants are In the Idiom, recently installed at Melbourne’s Buxton Contemporary, is my exhibition of 2022. To date, I have visited it five times.”

Peter Hill profiles Susan Jacobs, the artist behind his early-announced exhibition of the year, in our current issue. Talking with Jacobs via Zoom from her East London studio, Hill explores the figure of the artist as magician (and audience as “mark”), Jacobs’s early experience building and making with her father in Coffs Harbour, and a tendency in her work which Hill terms “neo-trompe-l’oeil.”

IMAGE: Susan Jacobs photographed by Louis Trerise, 2022

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We respectfully acknowledge the Wurundjeri people of the Eastern Kulin nation, the traditional owners of the land on which Buxton Contemporary is situated.

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