Introducing Creative Cosmos – a series of conversations exploring local and global contemporary art.

The Garden of Forking Paths: Mira Gojak & Takehito Koganezawa – Exhibition catalogue

Melbourne’s major new art museum draws upon the Michael Buxton Collection as a springboard for exhibitions, events, research, publishing and ideas.

buxton_contemporary

You can READ a full interview with @marcofusinatos

Marco Fusinato, 𝘙𝘰𝘴𝘦 #7 𝘧𝘳𝘰𝘮 𝘈 𝘋𝘰𝘻𝘦𝘯 𝘙𝘰𝘴𝘦𝘴⁣
⁣
The Joseph Beuys multiple Rose für direkte Demokratie (‘Rose for Direct Democracy’), a graduated glass cylinder with inscription, is taken to a commercial photographer with a bouquet fo fresh long-stem roses. Each flower is placed into the cylinder and photographed, the image then printed at 1:1 scale. The 12 photographs are exhibited in a row as an arrangement.⁣
⁣
🥀 LINK IN BIO 🥀 Creative Cosmos: @marcofusinatostudio in conversation with @melissa_keys ⁣
⁣
Image: Marco Fusinato, 𝘙𝘰𝘴𝘦 #7 𝘧𝘳𝘰𝘮 𝘈 𝘋𝘰𝘻𝘦𝘯 𝘙𝘰𝘴𝘦𝘴, 2006, digital Type-C photograph on Fuji Crystal Archive paper, 139 x 93 cm (framed), edition of 5, Courtesy of the artist and @annaschwartzgallery

Marco Fusinato, 𝘊𝘰𝘯𝘴𝘵𝘦𝘭𝘭𝘢𝘵𝘪𝘰𝘯𝘴 ⁣
⁣
A ceiling-height freestanding wall with a small gap at each end is built to bisect the gallery. Hidden inside the wall is a series of microphones connected to a PA system. The entrance side of the gallery is empty. On the other side of the gallery, coming out from the bisecting wall, a baseball bat is attached to a steel chain. Visitors are invited to strike the wall. Their action is amplified at 120 dB.⁣
⁣
⛓LINK IN BIO ⛓Creative Cosmos: @marcofusinatostudio in conversation with @melissa_keys ⁣
⁣
Images: Marco Fusinato, 𝘊𝘰𝘯𝘴𝘵𝘦𝘭𝘭𝘢𝘵𝘪𝘰𝘯𝘴, 2018, baseball bat, chain, purpose-built wall with internal PA at 120 dB, 600 x 2400 x 150 cm, installation view, SUPERPOSITION: Equilibrium and Engagement, the 21st Biennale of Sydney, Carriageworks, Sydney, 2018, Courtesy of the artist and Anna Schwartz Gallery @annaschwartzgallery

#UoMCulturalCommons 👀 Oooh! A new website you d

Marco Fusinato, 𝘈𝘦𝘵𝘩𝘦𝘳𝘪𝘤 𝘗𝘭𝘦𝘹𝘶𝘴 (𝘉𝘳𝘰𝘬𝘦𝘯 𝘟), 2013⁣
⁣
The equipment associated with spectacle, usually employed to highlight a performer, is directed at the gallery audience, whose physical presence triggers an intense assault of white light and white noise.⁣
⁣
💣LINK IN BIO💣 Creative Cosmos: @marcofusinatostudio in conversation with @melissa_keys ⁣
⁣
image: Marco Fusinato, 𝘈𝘦𝘵𝘩𝘦𝘳𝘪𝘤 𝘗𝘭𝘦𝘹𝘶𝘴 (𝘉𝘳𝘰𝘬𝘦𝘯 𝘟), 2013, 36,00 watts white light, 105 dB white noise, 40 x 500 cm box truss, Par can 56 lights, couplers, Lanbox LCM, DMX controller, dimmer racks, DMX mp3 player, line array PA, sensor, extension leads, shot bags, dimensions variable, Collection of the National Gallery of Victoria, Melbourne.

MK: ‘What ideas, forms of making, cultural codes

Marco Fusinato, 𝘛𝘏𝘌𝘙𝘌 𝘐𝘚 𝘕

‼️𝗯𝘂𝘅𝘁𝗼𝗻𝗰𝗼𝗻𝘁𝗲

Load More... Follow on Instagram

We respectfully acknowledge the Boonwurung and Wurundjieri people of the Eastern Kulin nation, the traditional owners of the land on which Buxton Contemporary is situated.

The Garden of Forking Paths: Mira Gojak & Takehito Koganezawa – Exhibition catalogue

buxton_contemporary

Pin It on Pinterest