The Garden of Forking Paths: Mira Gojak & Takehito Koganezawa – Exhibition catalogue

Melbourne’s major new art museum draws upon the Michael Buxton Collection as a springboard for exhibitions, events, research, publishing and ideas.

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In true Pop Art fashion, Peter Tyndall sources gra

Amassing a cult following since his stellar rise i

Announcing 𝘗𝘦𝘵𝘦𝘳 𝘛𝘺𝘯𝘥𝘢𝘭𝘭: the first major retrospective exhibition from one of Melbourne’s most influential artists.

Featuring over 200 works, the exhibition will include paintings, drawings, correspondence art and unseen works ranging back to the 1970s, drawing from @unimelb’s collection alongside works on loan from national institutions and private collections.

With a rigorous studio practice spanning 50 years, Peter Tyndall‘s expansive works contemplate the fundamental questions about the construction of meaning.

9 December 2022 – 16 April 2023

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Artwork Peter Tyndall, courtesy Anna Schwartz Gallery, Melbourne

🐜 Posted @withrepost • @artistprofile “It’s usually in early December that artists and critics are approached by newspapers and magazines to nominate their ‘exhibition of the year.’ I would like to step in early and state confidently that Susan Jacobs’s The Ants are In the Idiom, recently installed at Melbourne’s Buxton Contemporary, is my exhibition of 2022. To date, I have visited it five times.”

Peter Hill profiles Susan Jacobs, the artist behind his early-announced exhibition of the year, in our current issue. Talking with Jacobs via Zoom from her East London studio, Hill explores the figure of the artist as magician (and audience as “mark”), Jacobs’s early experience building and making with her father in Coffs Harbour, and a tendency in her work which Hill terms “neo-trompe-l’oeil.”

IMAGE: Susan Jacobs photographed by Louis Trerise, 2022

🐜 Marking the first major solo exhibition for a

🐜 4 days left to see 𝘚𝘶𝘴𝘢𝘯 𝘑𝘢𝘤𝘰𝘣𝘴: 𝘛𝘩𝘦 𝘢𝘯𝘵𝘴 𝘢𝘳𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘪𝘥𝘪𝘰𝘮, curated by Jacqueline Doughty…

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Installation details, Susan Jacobs: The Ants are in the Idiom, Buxton Contemporary, The University of Melbourne, 3 July – 30 October 2022 with Susan Jacobs, Market Mesh) 2020-2022, photography Christian Capurro.

🍄 5 days left to see 𝘚𝘵𝘪𝘭𝘭 𝘓𝘪𝘧𝘦 before it closes on October 30. Curated by Jacqueline Doughty.

🐜 @artandaustralia writes “To be immersed in

🐜 Go behind-the-scenes into the making of an ex

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We respectfully acknowledge the Wurundjeri people of the Eastern Kulin nation, the traditional owners of the land on which Buxton Contemporary is situated.

The Garden of Forking Paths: Mira Gojak & Takehito Koganezawa – Exhibition catalogue

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